VAGABOND.
\ A PLACE HARD TO PLACE /
Zane Onckule & Jo-ey Tang
Text by Zane Onckule & Jo-ey Tang
masks, facades and faces, 14'
Sound: Joe Namy
Voiced by: Amira Ghazalla
Sung by: Alya Al-Sultani
SALVO, SALVAGE, SALVE:
on Joe Namy’s masks, facades, faces
Jo-ey Tang
Text by Jo-ey Tang
John Hejduk, Sketches and clippings for Vladivostok, 1983-1989, graphite, ink, coloured pencil, watercolour and paper collage on paper, 20x25x2cm (sketchbook), John Hejduk fonds, Canadian Centre for Architecture, © CCA
Indriķis Ģelzis, visualisation for VAGABOND \ A PLACE HARD TO PLACE /, 2021
Proposal for the Latvian Pavilion at the 59th Venice Biennale in 2022
Elza Sīle, Far North-East snowfields, hand tapped aluminium, red&blue pen, 2020
Juris Strangots, CGI, 2021
ON HEJDUK AND HIS RIGA
Zane Onckule
Text by Zane Onckule
John Hejduk, Riga, 1985, watercolour on paper, 21x27x2cm (sketchbook), John Hejduk fonds, Canadian Centre for Architecture, © CCA
John Hejduk, Riga, 1985, watercolour on paper, 21x27x2cm (sketchbook), John Hejduk fonds, Canadian Centre for Architecture, © CCAJohn Hejduk, Riga, 1985
A Place Hard to Place, working file, 2021
Juris Strangots, CGI, 2021
Elza Sīle, sketch for VAGABOND \ A PLACE HARD TO PLACE /, 2021
Proposal for the Latvian Pavilion at the 59th Venice Biennale in 2022
Indriķis Ģelzis, visualisation for VAGABOND \ A PLACE HARD TO PLACE /, 2021
Indriķis Ģelzis, Bowl of cherries, detail, 2020
John Hejduk, Sketches and clippings for Vladivostok, 1983-1989, graphite, ink, coloured pencil, watercolour and paper collage on paper, 20x25x2cm (sketchbook), John Hejduk fonds, Canadian Centre for Architecture, © CCA
Elza Sīle, me mirror u, oil paint and gelatin on aluminium, 2020
John Hejduk, Sketches and clippings for Vladivostok, 1983-1989, graphite, ink, coloured pencil, watercolour and paper collage on paper, 20x25x2cm (sketchbook), John Hejduk fonds, Canadian Centre for Architecture, © CCA
Juris Strangots, CGI, 2021
Elza Sīle, Fence pearl, oil paint on aluminium, 2020
John Hejduk, Sketches and clippings for Vladivostok, 1983-1989, graphite, ink, coloured pencil, watercolour and paper collage on paper, 20x25x2cm (sketchbook), John Hejduk fonds, Canadian Centre for Architecture, © CCA
John Hejduk, Sketches and clippings for Vladivostok, 1983-1989, graphite, ink, coloured pencil, watercolour and paper collage on paper, 20x25x2cm (sketchbook), John Hejduk fonds, Canadian Centre for Architecture, © CCA
Elza Sīle, her fingers formed pyramids, fragment from 210x90x60cm coated metal stick sculpture, small graphite pencil lead stick and cotton ball, chewing gum, paper strips containing text from “Girl with Curious Hair” or “Brief Interviews with Hideous Men” by David Foster Wallace, 2019
Indriķis Ģelzis, Nightshift, detail, 2020
Indriķis Ģelzis, visualisation for VAGABOND \ A PLACE HARD TO PLACE /, 2021
Elza Sīle, Domestic circle, oil paint on aluminium, 2020
Indriķis Ģelzis, visualisation for VAGABOND \ A PLACE HARD TO PLACE /, 2021
A Place Hard to Place, working file, 2021
John Hejduk, Riga, 1985, watercolour on paper, 21x27x2cm (sketchbook), John Hejduk fonds, Canadian Centre for Architecture, © CCAJohn Hejduk, Riga, 1985
Proposal for the Latvian Pavilion at the 59th Venice Biennale in 2022
Juris Strangots, CGI, 2021
Juris Strangots, CGI, 2021
Elza Sīle & Juris Strangots, Snowball, CGI, 2020
Proposal for the Latvian Pavilion at the 59th Venice Biennale in 2022
Indriķis Ģelzis, House of memory and sight, detail, 2021
Indriķis Ģelzis, visualisation for VAGABOND \ A PLACE HARD TO PLACE /, 2021
Elza Sīle & Juris Strangots, Wife with the prettiest name, CGI, 2019
Proposal for the Latvian Pavilion at the 59th Venice Biennale in 2022
Juris Strangots, CGI, 2021
Elza Sīle & Juris Strangots, detail from VAGABOND \ A PLACE HARD TO PLACE /, 2021
Indriķis Ģelzis, visualisation for VAGABOND \ A PLACE HARD TO PLACE /, 2021
John Hejduk, Sketches and clippings for Vladivostok, 1983-1989, graphite, ink, coloured pencil, watercolour and paper collage on paper, 20x25x2cm (sketchbook), John Hejduk fonds, Canadian Centre for Architecture, © CCA
John Hejduk, Sketches and clippings for Vladivostok, 1983-1989, graphite, ink, coloured pencil, watercolour and paper collage on paper, 20x25x2cm (sketchbook), John Hejduk fonds, Canadian Centre for Architecture, © CCA
Proposal for the Latvian Pavilion at the 59th Venice Biennale in 2022
John Hejduk, Sketches and clippings for Vladivostok, 1983-1989, graphite, ink, coloured pencil, watercolour and paper collage on paper, 20x25x2cm (sketchbook), John Hejduk fonds, Canadian Centre for Architecture, © CCA
Indriķis Ģelzis, visualisation for VAGABOND \ A PLACE HARD TO PLACE /, 2021
A Place Hard to Place, working file, 2021